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He’s been called a misogynist and a homophobe accused of glorifying rape and murder, of engineering cheap shocks and thrills by belittling that by which we’re most appalled. There are a few butterflies on the set as everyone wonders what we should expect from the most talked about and controversial new artist on the planet. Rewind 15 minutes, and Tyler hasn’t arrived. Talent, charisma and enough immature bum jokes to keep your inner delinquent laughing until lunch. But if you can, and you do, then he’s got it all to give. If you can’t catch up, if you haven’t got the legs, then forget it, he’s not interested. It’s tiring just watching him, and that’s the whole point of this performance.
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But worst of all, struggling to keep still as Jasper The Fucking Dolphin, his Odd Future cohort and lifelong buddy, cranks up the volume on Wacka Flocka Flame’s ‘Bustin At Em’ blasting out of the speakers in the West Los Angeles photo studio where today’s shoot is taking place, and bounces into the frame, prompting Tyler to set off on a mad dash around the set, urging the camera to follow him before freezing, whipping on a crown, stuffing his dress with money, then setting off again, headbanging. Struggling to not tell everyone to go and fuck themselves for having the temerity to ask him to do something in the first place. Struggling to squeeze his 6-foot 2-inch frame into the tiny vintage wedding dress handed to him by NME that he’s been asked to put on. I can’t get my arm through this stupid thing. With Odd Future lynchpin Tyler, The Creator tweeting that the collective are “no more”, take a look back at the outspoken rapper’s first NME cover, written by Mike Williams and published in April 2011 on the week of the Royal Wedding.